Leslie Bibb
Leslie Bibb has a creative way of dealing with the paparazzi. Rather than flicking them off or tipping them off, or any of the above, the actress has a different strategy: Reasoning with them. “I was in Toronto with Sam [Rockwell]. I’m getting coffee and I see someone picking up a camera. I go, “Please, I look like the bottom of a shoe. Can we not do this?’” (The cameraman politely obliged—not because he agreed, but because he was charmed.) See, Bibb has a funny relationship with the camera’s lens. Ever since winning a modeling contest when she was 16, everyone wanted her in front of it. And she wanted to be there—kind of. “I’m not one of those people who loves looking at pictures of myself. When I’m on a shoot, just tell me what you want. I take direction well, but I don’t want to see the photos,” she says. Bibb is much more interested in playing dress up than in looking good, especially when it comes to hair and makeup. “A hairstylist on set once told me I’d look great with short hair. ‘Cut it,’ I said.” So he did. “Short hair made my hips look bigger. Otherwise, I loved it,” she says plainly. Throughout her career, Bibb has tried countless lengths, cuts and colors, and she loves playing with new makeup. Currently she’s considering going bright red…or raven black. And she’s bringing red lipstick everywhere. “I like to change my look. I find it boring when someone always looks the same,” she says. And when you think about it, her logic makes good sense. While a picture lasts forever—a haircut will always grow out.
HAIR HOW-TO
“Leslie really does have this quintessential, all-American beauty to her,” said Townsend. “ I really wanted to give her a classic hairstyle that would show that off.” He worked a dab of volumizing foam into damp hair to give her strands a soft foundation before blowing it dry. Then, rather than wrapping sections around an iron like we’re all used to, Townsend clipped the ends and rolled upwards, pinning the spool of hair against the head to set. He worked his way through the hair, creating eight sections and allowed them to cool for ten minutes. To finish, he removed the pins and brushed through the curls with a natural bristle brush. “You can’t pin this look to any specific era—and that’s exactly how I wanted it,” he said.
MAKEUP MOMENT
One glance at these pictures and it’s pretty clear what makeup artist Kate Lee focused on: Creating a downright flawless crimson pout. (Bibb couldn’t have been happier!) Oddly enough, though, Lee’s process doesn’t begin by breaking out the lipstick tube. “Start by lining the mouth in a shade that matches the natural lip color exactly,” she says. “Red lipstick can be pretty unforgiving. This way, you’ll have a template and an idea of where the pigment is going before you begin.” Paint on your favorite shade with a soft lip brush. “You shouldn’t be going for a hard lip line—it needs to be perfectly applied and beautifully blended,” advises Lee. As for selecting that One Perfect Shade, Lee says there’s no magic formula—except for trying it on, of course: “Red lipstick is about going bold and trying what you’re drawn too—and the back of the hand is no substitute for your actual lips!”
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Kate Lee. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl.
Ashley Olsen “In Her Bag”
Addison Timlin 4
The Movie Star
WHAT ROBIN DID: Flushed the apples of the cheeks with a rosy blush and turned-out the mouth with red liner and a coating of satiny lipstick.
WHAT ADDISON THOUGHT: “Red lipstick makes me feel like I’m a little girl playing in my mommy’s makeup. But this became something very sexy and womanly with the hair and the black dress. I didn’t know I could pull it off.”
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Fashion credits: Dress: Fendi.
6 Picks with Addison Timlin
“Creates the illusion that I have perfect skin without seeming like I have too much makeup on.” | “Makes me look like I’ve gone to Costa Rica and back in about five minutes. I always want to be more tan in the summer; I discovered this playing with makeup in Sephora.” |
“I’ve been wearing this scent for six years and I just don’t feel like myself without it. It feels clean, soft, feminine and pretty.” | “I love to shorten my getting ready time. If this mean means I can go another day without washing my hair, it’s the perfect product for me.” |
“How much have I eaten today? You don’t even want to know. I’m not one of those people who wants to sit and have a piece of cake—I want Sour Patch Kids, Gummi Bears, lollipops, you name it. It’s a bit of a problem.” | “I’ve been listening to Arcade Fire since I was 15. I was introduced to their music during a very pivotal period of my life so I associate them with that time. I’m kind of connecting this new album with my new life out here in L.A.” |
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Addison Timlin 2
The Screen Siren
WHAT ROBIN DID: Layered black liner and teal gray shadow around the eyes for a lush, smoky look.
WHAT ADDISON THOUGHT: “This look is closest to something I’ve played with in real life. If I want to make a statement or I’m going out with my girlfriends, I’ve definitely tried to navigate my way through the smoky eye.”
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Fashion credits: Eres Bathing Suit
Deborah Ann Woll makes a pretty convincing vampire—and not just on TV, as newbie bloodsucker Jessica Hambly on HBO’s True Blood. Take, for instance, her taste for blood. “It actually isn’t that bad!” she swears. (As Woll describes it, fake blood can either be syrupy sweet chocolate or pureed fresh veggies, depending on what kind of wound it’s fictionally leeching from.) She’s also, clearly, equipped with nerves of steel. “I’m not squeamish and I don’t get scared. A part of me really enjoys filming the gross or weird parts. I find that intriguing,” she says. And perhaps most like her character, the 25-year-old Brooklyn native underwent a major life transformation: At age 15, the towheaded Woll marched to the drugstore, selected the prettiest red dye she could find, and changed her life for good. “I had perfectly nice blond hair but I felt I was being overlooked. Now being a redhead is part of my identity. I might go blond for a role, but I’ll always be a redhead,” she says. (And yes, even to this day she still dyes her own hair.)
It’s exactly this self-willed, constantly evolving and fearless attitude that piqued our interest here at MARKTbeauty. What follows are frighteningly gorgeous photos of this red hot starlet. They might take your breath away—but we promise, she doesn’t bite.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Fashion credits: Silk flower from Michael Levine, Inc. 920 Maple Ave. Los Angeles, CA 90015.
Deborah Ann Woll 2
“This is the perfect romantic look; it’s soft and dreamy with a bit of an unexpected edge,” says Black. She warmed the star’s skin with a wash of sheer moisturizer and versatile cream bronzer blended along her cheeks, eyelids and lips. She defined her brows with a light blond pencil and finished with a few swipes of brown mascara.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Sasha Alexander, Bed Head 4
A barely-there nude lip is the perfect complement to sexy hair and smoldering eyes.
Read MoreTime and Again 2
’30s: Jean Harlow
BACK THEN: “Screen sirens were beautifully sculpted and refined. In one of my favorite pictures of Jean, she had glistening Vaseline on her eyelids. It’s a black and white image, but somehow it managed to be so textural and reflective,” says Goodwin.
2010: “I channeled the moodiness of the ’30s with a burgundy maroon cream shadow. The color is very serious but by making it see-through, I took away some of the scariness,” she explains.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Rachel Goodwin. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Time and Again 6
’80s: Duran Duran
BACK THEN: “The ’80s were all about an absolute irreverence for everything that was considered conventionally pretty,” says Goodwin. “There was room for expression. Women embraced color in a way they’d never done before.”
2010: “This look isn’t wearable, but there’s something incredibly optimistic and unafraid that I think you can take from it,” says the makeup artist. Try a wash of creamy hot pink shadow blended across your lids and out to your temples. “If you’re a brave soul, pair it with a stripe of bright turquoise liner on the bottom lash line only,” she says.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Rachel Goodwin. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.