Hair Trends: A Ribbon Moment
Hairstylist Aviva Perea dishes on her favorite trends now.
Why We Love It: There’s something very Breakfast at Tiffany’s about this style…and since we j’adore Audrey Hepburn, we heart this look.
How To Get It: Pull your hair into a high ponytail at the crown of your head, then tease the underside to increase th size of your bun. Twist the length into a chunky cluster, then secure with pins to assure that it won’t wilt mid-date, -event, -[insert occasion here]. Finish by wrapping a pressed ribbon—wrinkly ones aren’t pretty—around the top of your head and tying it tightly at the nape of your neck. (A few aptly placed pins will keep the ribbon from slipping.)
Bonus Tip: Perea suggests using to keep your coiff in place. “It has a bit more hold than most hairsprays, yet is still light and doesn’t make the updo look overly formal.” Plus, it adds instant shine to your hair thanks to vitamin B5.
Photographer: Don Flood. Hair: Aviva Perea. Makeup: Robin Black. Written By: Trend Reporter.
Hair Trends: Full Waves
Hairstylist Aviva Perea dishes on her favorite trends now.
Why We Love It: Although a style like this takes time to achieve, there’s something so effortless about loose waves.
How To Get It: When hair is wet, work in a dollop of body-building mousse—focusing on the roots and crown—to give your strands a bit of oomph. Blow dry with a round, mixed bristle brush, then wrap 1 ½ inch sections around a curling iron, alternating directions with each piece. (That’s what creates the perfectly imperfect vibe.)
Bonus Tip: “I love big full waves and regardless of whether your hair is fine or thick, the best way to achieve the look is to prep your hair properly,” adds Perea. (She loves dosing strands with .)
Photographer: Don Flood. Hair: Aviva Perea. Makeup: Robin Black. Written By: Trend Reporter.
Hair Trends: Long, Choppy Bangs
Hairstylist Aviva Perea dishes on her favorite trends now.
Why We Love It: A fierce fringe is always in, period, but we are obsessed with them for fall. Bangs accentuate gorgeous eyes and downplay high foreheads.
How To Get It: Ask your stylist to cut heavy, blunt bangs when your hair is wet. Then, once they’re dry, request that he or she cuts into them vertically to create a choppy effect. (If your hair is fine ask them to point cut with scissors; if your hair is thick, request thinning shears.)
Bonus Tip: Accentuate the piece-y texture with a spritz of beach spray like , which contains hydrating rice proteins.
Photographer: Don Flood. Hair: Aviva Perea. Makeup: Robin Black. Written By: Trend Reporter.
Quick Tips for Long Hair
QUICK TIP: Not only is Townsend bringing back the crimping iron, but he’s bringing back hot rollers, too! “If you’re going to go through the trouble of having long hair, you might as well play with it,” he says. This style was achieved setting the entire head in steam rollers. Simply hold the curler close to your scalp and roll the section of hair upwards. That way, the hair around your face stays smooth, while the ends have tons of lived-in texture.
LONG FORM: Break up too-perfect tendrils with a dose of wave spray—and your fingertips.
QUICK TIP: Extra-long, extra-straight hair is about as glamorous as it gets. To get yours just right, comb through two-inch sections of dry hair with a hair brush first, followed by a curling iron. (The two-handed technique isn’t easy to master, but the results speak for themselves.)
LONG FORM: No matter how straight you want you final look, always add a little bend—that is, by flicking the iron upwards a bit with your wrist at the bottom of your hair. Pulling straight down can make ends appear frayed and messy.
QUICK TIP: Because the impact of long hair has a lot to do with the sheer length of it, you don’t always need a fussy or extra-coiffed style to turn heads. Take these imprecise waves that Townsend achieved simply by twisting the hair into a bun while model Eleanor Lambert was in the makeup chair.
LONG FORM: “Blast your strands with hairspray first so that they’ll hold onto whatever texture they get while you have it pinned up,” says Townsend.
QUICK TIP: We know what you’re thinking: The trusty crimper is best reserved for ‘80s-themed parties. But according to Townsend, artfully crimped strands can have a modern appeal. “The key is being haphazard with it. Take some big chunky 5-inch sections and take some teensy pieces. And tease out a few sections by brushing through them for a really diffuse, blown-out finish.”
LONG FORM: Long hair has been around, well, longer—which means it’s way more susceptible to any kind of damage. Especially the kind from heated styling tools. Before you pick up a dryer, crimper, flatiron or curling iron, be sure to treat your strands to a heavy-duty heat protectant spray.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Kate Lee. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Model: Eleanor Lambert.
6 Picks with Diane Lane
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Kara Yoshimoto Bua. Fashion Director: Estee Stanley. Manicure: Ashlie Johnson. Art Director: Frank Rust. Written By: Beauty Girl.
Fashion credits: Black dress by Oscar de la Renta
Diane Lane
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Kara Yoshimoto Bua. Fashion Director: Estee Stanley. Manicure: Ashlie Johnson. Art Director: Frank Rust. Written By: Beauty Girl.
Fashion credits: Black dress by Oscar de la Renta. Red dress by The Row.
Diane Lane
When she was a child, Diane Lane and her mother, a nightclub singer, were walking along the streets of Manhattan in a blustery windstorm. “I was 5 years old, and I shouted, ‘Hold on to your wig, Mommy!’ She just about died,” the actress laughs. “I thought everyone knew it was a wig—I mean, she changed it everyday.” This early anecdote was formative for the star—establishing her comfort with speaking her mind and with the mutability of looks. Since then, Lane has appeared in over 50 films with every hair color, length and texture imaginable. This month, she’s Penny Chenery, a well-coiffed platinum blond in Secreteriat; she was nominated for an Oscar as a fiery redhead in Unfaithful. And just two years ago, she chopped her hair off in the bathroom. “It was the most fun, liberating moment of my life. I wore my haircut as a rebellious celebration,” she says. “It was a chance to take back possession of myself—when no director could sit back and tell me that they owned my hair.” She pauses. Lane isn’t the first star to take hair into her own hands. “I remember all the hoopla when Britney Spears did it,” she continues. “Now, I don’t know anything about her psychology or anything about that. But I do understand you have to own yourself.” Another pause. “I’ve grown a lot in understanding how hair is defining. Not only of our image, but of our power.” It’s safe to say that Lane has secured her mastery of both.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Kara Yoshimoto Bua. Fashion Director: Estee Stanley. Manicure: Ashlie Johnson. Art Director: Frank Rust. Written By: Beauty Girl.
Fashion credits: White dress by The Row. Sequin dress by Tadashi Shoji.
Diane Lane: Behind the Scenes Video
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Photographer: Don Flood. Hair: Mark Townsend. Makeup: Kara Yoshimoto Bua. Fashion Director: Estee Stanley. Manicure: Ashlie Johnson. Behind the Scenes: Brian Weidling. Art Director: Frank Rust.
Leslie Bibb
Leslie Bibb has a creative way of dealing with the paparazzi. Rather than flicking them off or tipping them off, or any of the above, the actress has a different strategy: Reasoning with them. “I was in Toronto with Sam [Rockwell]. I’m getting coffee and I see someone picking up a camera. I go, “Please, I look like the bottom of a shoe. Can we not do this?’” (The cameraman politely obliged—not because he agreed, but because he was charmed.) See, Bibb has a funny relationship with the camera’s lens. Ever since winning a modeling contest when she was 16, everyone wanted her in front of it. And she wanted to be there—kind of. “I’m not one of those people who loves looking at pictures of myself. When I’m on a shoot, just tell me what you want. I take direction well, but I don’t want to see the photos,” she says. Bibb is much more interested in playing dress up than in looking good, especially when it comes to hair and makeup. “A hairstylist on set once told me I’d look great with short hair. ‘Cut it,’ I said.” So he did. “Short hair made my hips look bigger. Otherwise, I loved it,” she says plainly. Throughout her career, Bibb has tried countless lengths, cuts and colors, and she loves playing with new makeup. Currently she’s considering going bright red…or raven black. And she’s bringing red lipstick everywhere. “I like to change my look. I find it boring when someone always looks the same,” she says. And when you think about it, her logic makes good sense. While a picture lasts forever—a haircut will always grow out.
HAIR HOW-TO
“Leslie really does have this quintessential, all-American beauty to her,” said Townsend. “ I really wanted to give her a classic hairstyle that would show that off.” He worked a dab of volumizing foam into damp hair to give her strands a soft foundation before blowing it dry. Then, rather than wrapping sections around an iron like we’re all used to, Townsend clipped the ends and rolled upwards, pinning the spool of hair against the head to set. He worked his way through the hair, creating eight sections and allowed them to cool for ten minutes. To finish, he removed the pins and brushed through the curls with a natural bristle brush. “You can’t pin this look to any specific era—and that’s exactly how I wanted it,” he said.
MAKEUP MOMENT
One glance at these pictures and it’s pretty clear what makeup artist Kate Lee focused on: Creating a downright flawless crimson pout. (Bibb couldn’t have been happier!) Oddly enough, though, Lee’s process doesn’t begin by breaking out the lipstick tube. “Start by lining the mouth in a shade that matches the natural lip color exactly,” she says. “Red lipstick can be pretty unforgiving. This way, you’ll have a template and an idea of where the pigment is going before you begin.” Paint on your favorite shade with a soft lip brush. “You shouldn’t be going for a hard lip line—it needs to be perfectly applied and beautifully blended,” advises Lee. As for selecting that One Perfect Shade, Lee says there’s no magic formula—except for trying it on, of course: “Red lipstick is about going bold and trying what you’re drawn too—and the back of the hand is no substitute for your actual lips!”
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Kate Lee. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl.
Lea Michele: In Quotes
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Jake Bailey. Manicurist: Ashlie Johnson. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.