Blond Girls
Grace Kelly, Farrah, Madonna—it's (ahem) fair to say blonds have a certain something the rest of us…
Read MoreBlond Girls 2
IF YOU’RE ALREADY BLONDE
No disrespect to Marilyn, but not all blonds aspire to be a frosty platinum bombshell. But they do want to lighten up from time to time. “The best way to punch up your color for summer is to add flashes of light at the ends,” says Sulekha Hilton, a colorist at Sally Hershberger Salon in Los Angeles. Rather than asking for a full head of highlights or a change of base color, concentrate color where the sun would naturally hit—that is, the strands around your face and the ends. (The hair towards the bottom is lighter since it’s older and has spent more time in the sun.) “If your base is light, don’t shy away from the brightest blonds—anything from a flaxen shade to a pale buttery tone will be flattering in the summer,” says colorist Marie Robinson of the Marie Robinson Salon in New York City. And the real upside of bright colors that aren’t hugging your roots is that they don’t require a lot of maintenance—which means you can spend your time in the sand, not the salon.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Rachel Goodwin. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com. Manicure: Tom Bachik.
Blond Girls 3
IF YOU’RE MEDIUM BROWN
Brown hair can still look beachy (See: Jennifer Aniston). But because yellowish hues can seem stripy on brunette strands, it’s important to keep the look subtle by opting for warmer tones. Marie Robinson suggests adding a full head of highlights that’s one shade lighter than your base. “This gives the illusion that your hair is a little brighter to start with,” she says. Follow it up with a scattering of honey blond ribbons around the face and on the ends. “It’s a natural, layered look that blends seamlessly.” This two-step approach also has dual-benefits: Eye-catching highlights amp up your color and add dimension, which makes your hair appear even thicker. Translation: Brunettes gone blond have more fun.
IF YOU’RE DARK
We’re going to be honest—raven-haired beauties, steer clear of peroxide. “When your hair is really dark, you go red or brassy, not blond,” says Redken Creative Consultant for Color Tracey Cunningham, of the Byron and Tracey Salon in Beverly Hills. But don’t feel gloomy, sultry hair can still look sun-drenched. Cunningham suggests using a café au lait hued gloss, which will brighten the hair and add a glassy sheen. Glosses will not alter your natural shade drastically, but they will have a lightening effect. Bonus: Most formulas condition and seal the hair shaft, which protects against the drying effects of the sun.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Rachel Goodwin. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com. Manicure: Tom Bachik.
You don't have to go retro to give a nod to the past. These updated looks are strong, sexy and decidedly 2010.
Read MoreTime and Again 2
’30s: Jean Harlow
BACK THEN: “Screen sirens were beautifully sculpted and refined. In one of my favorite pictures of Jean, she had glistening Vaseline on her eyelids. It’s a black and white image, but somehow it managed to be so textural and reflective,” says Goodwin.
2010: “I channeled the moodiness of the ’30s with a burgundy maroon cream shadow. The color is very serious but by making it see-through, I took away some of the scariness,” she explains.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Rachel Goodwin. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Time and Again 3
’40s: Rosie the Riveter
BACK THEN: “I loved the simplicity and structure of this time. Ladies wore a patriotic red lip that showed off strength and power,” she says. “I wanted to take that sentiment into today, but make it surprising.”
2010: “I chose a bold color, but I went with a tangerine versus a straight red, so that something would look slightly askew,” says Goodwin. “It’s unapologetic and powerful, and somehow looks more futuristic than vintage.”
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Rachel Goodwin. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Time and Again 4
’60s: Edie Sedgwick
BACK THEN: “Women had fun with makeup and they wore lots of it. Part of the reason these moments live on forever is because those women knew how to do their makeup so well.”
2010: “The ’60s have been done and done and done and done—I wanted to find a new way of playing with it,” Goodwin says. Rather than lining the eyes with black liquid liner, the makeup artist chose a gold formula and applied it along the upper lashline and in the crease: “I didn’t blend it at all. It’s just a single cool and refreshing color statement.”
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Rachel Goodwin. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Time and Again 5
’70s: Bianca Jagger
BACK THEN: “Women had a warmth and an etherealness that I really admire,” says Goodwin. “This girl would have listened to ABBA and gone to Elaine’s.”
2010: Goodwin wanted this look to be somewhat one note: Tan, reflective skin and shimmery neutral metallics. “The glow on the skin was a bronzing cream. Back then they doused themselves in glittery powder, but this sheer liquid is much softer and absorbs into the skin for a really light, balmy effect,” she says.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Rachel Goodwin. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Time and Again 6
’80s: Duran Duran
BACK THEN: “The ’80s were all about an absolute irreverence for everything that was considered conventionally pretty,” says Goodwin. “There was room for expression. Women embraced color in a way they’d never done before.”
2010: “This look isn’t wearable, but there’s something incredibly optimistic and unafraid that I think you can take from it,” says the makeup artist. Try a wash of creamy hot pink shadow blended across your lids and out to your temples. “If you’re a brave soul, pair it with a stripe of bright turquoise liner on the bottom lash line only,” she says.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Rachel Goodwin. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Jessica Biel
To create Jessica Biel's full, bouncy strands, Townsend worked a dime-sized amount of…
Read More