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Photographer: Don Flood. Hair: Mark Townsend. Makeup: Kayleen McAdams. Fashion Director: Estee Stanley. Art Director: Frank Rust. Behind the Scenes: Brian Weidling. Song: .
Makeup artist Rachel Goodwin: “The early disco era has always been an inspiration to me, I love the reflective textures and bold colors. Most of all I just adore how the make up style from that time was bold and meant to be obvious, worn more as a statement than just a natural enhancement.”
Rachel Goodwin: “This whole shoot was very late seventies inspired so for the make up I referenced one of my all time favorite movies, Adrian Lyne’s . This make up was meant to be a little bit rebellious like the girls in the film, and rebellious make up is always sexy to me.”
“I’m more dedicated to skincare than I am to makeup. Being on set and in front of the cameras, I’ve really learned the importance of taking care of what you have.”
Townsend: I loved the idea of Gillian as 1970s character so I kept her soft and did not use any products in her damp hair, I just blew her hair out with a round brush and set the top sections in large barrel curls, my favorite way to get lift at the roots but not too much bend on the ends is to take a 3 inch section of hair and run a flat iron over it and then wrap the section around 3 of my fingers creating barrel curl. Secure the section with a clip and let cool for about 10 to 15 minutes and then take the clips out. To get some texture into the hair I used .
Photographer: Stephanie Vovas. Hair: Mark Townsend. Makeup: Rachel Goodwin. Manicure: Debbie Leavitt. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Jacket: Victoria’s Secret. Slip: Eres. Shoes: Sergio Rossi.
Diane Lane
When she was a child, Diane Lane and her mother, a nightclub singer, were walking along the streets of Manhattan in a blustery windstorm. “I was 5 years old, and I shouted, ‘Hold on to your wig, Mommy!’ She just about died,” the actress laughs. “I thought everyone knew it was a wig—I mean, she changed it everyday.” This early anecdote was formative for the star—establishing her comfort with speaking her mind and with the mutability of looks. Since then, Lane has appeared in over 50 films with every hair color, length and texture imaginable. This month, she’s Penny Chenery, a well-coiffed platinum blond in Secreteriat; she was nominated for an Oscar as a fiery redhead in Unfaithful. And just two years ago, she chopped her hair off in the bathroom. “It was the most fun, liberating moment of my life. I wore my haircut as a rebellious celebration,” she says. “It was a chance to take back possession of myself—when no director could sit back and tell me that they owned my hair.” She pauses. Lane isn’t the first star to take hair into her own hands. “I remember all the hoopla when Britney Spears did it,” she continues. “Now, I don’t know anything about her psychology or anything about that. But I do understand you have to own yourself.” Another pause. “I’ve grown a lot in understanding how hair is defining. Not only of our image, but of our power.” It’s safe to say that Lane has secured her mastery of both.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Kara Yoshimoto Bua. Fashion Director: Estee Stanley. Manicure: Ashlie Johnson. Art Director: Frank Rust. Written By: Beauty Girl.
Fashion credits: White dress by The Row. Sequin dress by Tadashi Shoji.
Mark’s Picks for August
“Season 4 has just begun and I’m re-addicted! This show is so smart and so sexy and I cannot get enough of it. You can see the influence of this show on runways and red carpets everywhere.” | “I discovered this product when my client Ellen Page requested I bring organic products with me to get her ready for the premiere of her film Inception. I used this spray in her dry hair and it created amazing piece-y, beach-y texture. Most salt water sprays can be too drying to the hair but the lavender in this spray works as a conditioner so it is the perfect balance. This product has a place in my kit permanently!” |
“I am in love with this double barrel iron and I used it to create the incredible waves in Deborah Ann Woll’s hair for her MARKTbeauty shoot. This iron can create curls or waves depending on how long you hold the hair in the barrels and never disappoints in creating amazing texture in the hair.” | “I love the architecture of Frank Gehry, so I am beyond obsessed with his designs for Tiffany & Co. I fill this bowl with fruit and keep it on my dining table and it looks like a piece of art. His jewelry designs are my all time favorite!” |
“I have a borderline addiction to lip balms and I am not ashamed to admit it. I keep this one in my bag at all times and use it frequently throughout the day because it feels incredible and hydrates the lips without looking like I’m wearing lip gloss.” | “I was recently turned on to this strengthening serum by a client and I love what it does for the hair. It is loaded with sunscreens and heat activated so I tell my clients to pile this on their hair while at the beach or pool because it protects and conditions at the same time!” |
Deborah Ann Woll makes a pretty convincing vampire—and not just on TV, as newbie bloodsucker Jessica Hambly on HBO’s True Blood. Take, for instance, her taste for blood. “It actually isn’t that bad!” she swears. (As Woll describes it, fake blood can either be syrupy sweet chocolate or pureed fresh veggies, depending on what kind of wound it’s fictionally leeching from.) She’s also, clearly, equipped with nerves of steel. “I’m not squeamish and I don’t get scared. A part of me really enjoys filming the gross or weird parts. I find that intriguing,” she says. And perhaps most like her character, the 25-year-old Brooklyn native underwent a major life transformation: At age 15, the towheaded Woll marched to the drugstore, selected the prettiest red dye she could find, and changed her life for good. “I had perfectly nice blond hair but I felt I was being overlooked. Now being a redhead is part of my identity. I might go blond for a role, but I’ll always be a redhead,” she says. (And yes, even to this day she still dyes her own hair.)
It’s exactly this self-willed, constantly evolving and fearless attitude that piqued our interest here at MARKTbeauty. What follows are frighteningly gorgeous photos of this red hot starlet. They might take your breath away—but we promise, she doesn’t bite.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Fashion credits: Silk flower from Michael Levine, Inc. 920 Maple Ave. Los Angeles, CA 90015.
6 Picks with Deborah Ann Woll
MAKEUP MOMENT
For this smoldering look, Townsend tucked Woll’s hair into a faux bob and Black rimmed her eyes in black liner and smudged brown, bronze and copper shadows. To give her face extra dimension, Black contoured the cheekbones with a mix of blush and bronzer. “For a truly nude lip, apply a bit of lip balm to bare lips or mix a touch of tinted moisturizer into your lip balm,” advises Black.
“Great light coverage. Gives me a nice natural dewy look without clogging my pores and most importantly, blocks the sun from damaging my skin.” |
“Perfect for my pale skin. A great touch of color without over doing it. Actually makes me appear to have just come from a bout of healthy ‘exercise.” |
“What I’ve been using for the past 10 years to dye my hair. Affordable and easy to use. Especially since my natural color is so light. Love the subtleness of the shade.” |
“Exfoliates and cleans. Even strong enough to spot-treat a blemish as soon as I notice it. I just leave it on to dry out overnight.” |
“It’s hard to keep reds from fading, but this gives me the longest life with my color. It also smells like fresh herbs from the garden. Yum!” | “I’m definitely a basics kind of girl. This plus sunscreen is really all I use on a daily basis. It’s the lightest lotion I’ve found with the biggest impact.” |
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Fashion credits: Satin headband, silk rose comb and silk rose barrette by Jennifer Behr. One shoulder blouse by Topshop.
Deborah Ann Woll 5
HAIR HOW-TO
“I wanted to give Deborah Ann soft, romantic hair. I didn’t want perfect curls and I didn’t want frizz,” explains Townsend. He worked three-inch chunks between the tines of the Rsession Tools Naluwaver for funky, uneven texture. He then clipped the spiraled sections to Woll’s head while she was in makeup. “That gives the wave time to set,” he says. He brushed through the waves with a flat paddle brush and finished with a mist of sea spray. For a piecey, lived-in finish, he misted the hair with sea spray.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Fashion credits: Silk flowers from Michael Levine, Inc. 920 Maple Ave. Los Angeles, CA 90015 . Dress by Etro.
Deborah Ann Woll 4
“I love this one because it surprised me. I didn’t know I could look like this. It’s kind of like a Virgin on the Rocks look,” says Woll.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Fashion credits: Silk flowers from Michael Levine, Inc. 920 Maple Ave. Los Angeles, CA 90015 . Turtleneck by Vince.
Deborah Ann Woll 3
“When I’m in full hair and makeup, I surrender myself to whoever I’m playing,” says Woll. “Maybe I’m a little girl playing in my mom’s makeup. Maybe I’m this devastated singer who’s had a life no one’s ever known.”
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.
Fashion credits: Dress by Erdem.
Deborah Ann Woll 2
“This is the perfect romantic look; it’s soft and dreamy with a bit of an unexpected edge,” says Black. She warmed the star’s skin with a wash of sheer moisturizer and versatile cream bronzer blended along her cheeks, eyelids and lips. She defined her brows with a light blond pencil and finished with a few swipes of brown mascara.
Photographer: Don Flood. Hair: Mark Townsend. Makeup: Robin Black. Fashion Director: Estee Stanley. Art Director: Frank Rust. Written By: Beauty Girl. Retouching: ConradDigital.com.